As of October 2014, the 3rd edition of Understanding and Crafting the Mix is available from Focal Press. From Focal:
Understanding and Crafting the Mix, 3rd edition provides the framework to identify, evaluate, and shape your recordings with clear and systematic methods. Featuring numerous exercises, Read more [...] Focal Press releases 3rd Edition of Understanding and Crafting the Mix by Dr. William Moylan
As of October 2014, the 3rd edition of Understanding and Crafting the Mix is available from Focal Press. From Focal:
Understanding and Crafting the Mix, 3rd edition provides the framework to identify, evaluate, and shape your recordings with clear and systematic methods. Featuring numerous exercises, Read more [...] 
A detailed multimedia presentation of record path signal flow in 213 is now available!
Check it out offsite here 
Northeastern University
Event Production and Technology Specialist
Requisition Number:
STFR001832
Division/College:
Student Affairs
FT/PT:
Full Time
Grade:
11
Position Summary:
Event Management is currently seeking a talented individual to fill the role of Event Production and 
Film and Digital Media Technical Director
Film & Digital Media Department
JOB #: 1405291
FULL TIME; CAREER
Starting Salary Range: $3,758-$5,262/monthly. Salary commensurate with qualifications and experience.
UCSC strives to embrace diversity in all its forms; it strives to be an inclusive 
A introduction to mix path signal flow in 213 is now available for your perusal!
Or visit the prezi offsite HERE 
Working with graduate and undergraduate SRT students, as well as students and colleagues at New York University, some interesting data have been collected on the details of sound radiation from guitar amps and pianos. The piano work caught the ears and eyes of the good folks at Science Friday. And 
Just added three new recall sheets to the studio documents page.
They are all about the patchbay:
Aux Sends
Inserts
Cross Patches
Thanks to Professors Missy Webb Casserly and Paul Angelli for pulling these together. 
Matt Zimmern's (BM:SRT 2007, MM:SRT 2010) thesis, "Exploration of Past and Present Music Production Techniques and Their Influence on the Resulting Music Recordings (23MB)," takes one song and one band, and records them two distinct ways.
Vintage
Based on production techniques, acoustics and 
"When I Return"
Performed by C Dub Trois
Composed by Camden Wharram
C Dub Trois:
Camden Wharram • Saxophone
Mike Dettorre • Drums
Theo Brierely • Bass
http://youtu.be/eP3VZDQOEqY
Audio:
Pat Drumm • Engineer
Grace Reader • Assistant Engineer
Matt Soares • Assistant Engineer
Alex 